American Indians of the Southwest began making functional pottery at least 2,000 years ago. The skills needed to make these vessels passed from generation to generation, a tradition that continues to this day. Geographic variations in clay, along with regional preferences for certain designs and shapes, meant that distinct styles became associated with permanent villages, which the Spanish called pueblos. When the railroad brought visitors to the Southwest in the late 19 ^th century, potters responded by selling their wares, and an ongoing market became established for pottery made as art. For the first time, many makers began to sign their work, and individual potters became known and their works collected. These artists drew inspiration from their ancestors and built upon their traditions. Featuring more than 200 pieces by premier potters, this exhibition focuses on legendary matriarchs such as Nampeyo, Maria Martinez, and Margaret Tafoya, as well as many of their adventuresome descendants, whose art has become increasingly elaborate, detailed, personal, and political over time.

Read more about the exhibition in our blog, the Oculus, HERE.

This exhibition is one of two shows at the Crocker this fall exploring the art and culture of several distinct Native American communities. When I Remember I See Red: American Indian Art and Activism in California features contemporary art by First Californians and other American Indian artists with strong ties to the state. Spanning the past five decades, the exhibition includes more than 65 works in various media from more than 40 artists. On view October 20, 2019 — January 26, 2020.