The Peter T. Pope Early California Collection | Crocker Art Museum

The Peter T. Pope Early California Collection

The Peter T. Pope Early California Collection, now part of the Crocker Art Museum’s permanent collection, examines the history of California through rare historic maps, depictions of Gold Rush towns, urban scenes of San Francisco, and other aspects of daily life. Scenes of the city include depictions of urban development, bird’s-eye views, social gatherings, caricatures of well-known industrialists, and the destruction caused by the 1865 and 1906 earthquakes. Through nearly all of the works—from cartography to cartoons—visitors will see the evolution of California’s urban, natural, and political landscape during multiple periods of growth and development.

The collection also seeks to address under-told narratives of immigrant labor that accompanied the Gold Rush boom, the forced relocation of Native American peoples, colonization, as well as the increased demand for, and use of, environmental resources. The people and places omitted from the many scenes depicted in the artwork are as important as the people and places purposefully represented.

Between 1848 and 1853, a quarter of a million people literally rushed to California in search of gold. The influx of people during the Gold Rush, considered the largest mass migration up to that point in American history, hastened California’s move toward statehood, which was secured through the Compromise of 1850. Within this Gold Rush history also lies the history of Native American peoples and immigrants. The latter came to Northern California from around the globe by steam ships, river boats, and overland trails.

Trains also play a central role in many of the works and are evidenced through scenes of railroads under construction and as connectors of people and industry. In 1862, Congress passed the Pacific Railway Act, which allowed for the start of construction on a transcontinental railroad. Upwards of 20,000 Chinese laborers helped build the most treacherous western portion of the transcontinental railroad between 1863 and 1869. Further, territorial expansion was fueled by the idea of Manifest Destiny, or that it was the God-given right for the United States to span from coast to coast regardless of those already here or who might stand in the way.

The Peter T. Pope Early California Collection digital project was made possible by the generous support of Maria and Molly Pope.

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  • J. Schultess (American, active 19th century) and published by Corson and Armstrong
    View of San Francisco. circa 1850.
  • J. Schultess (American, active 19th century) and published by Corson and Armstrong
    View of San Francisco. circa 1850.
  • J. Wright (American, active 19th century)
    San Francisco. 1851.
  • Jacques Coo and published by Joseph Fairfield Atwill (American, 1811–1891)
    El Eco del Pacifico. circa 1853.
  • Jacques Joseph Rey (American, born France, 1820–1892) and Benjamin Franklin Butler (American, born France, 1816–1865)
    The San Francisco Quadrilles. circa 1852.
  • James Gordon Bennett (American, active 19th century), publisher
    Plan of the Harbour of San Francisco. January 8, 1849.
  • James Mason Hutchings (American, 1820–1902)
    James King of William—The Patriot Martyr of California. 1856.
  • James Mason Hutchings (American, 1820–1902)
    Hutchings Table of Distances for the State of California. 1855.
  • Jan Goeree (Dutch, 1670–1731), Gilliam van der Gouwen (Dutch, circa 1640–after 1720) and Pieter van der Aa (Dutch, 1659–1733)
    Planisphere Terrestre, Suivant le Nouvelles Observations des Astronomes. 1713.
  • Jean François de Galaup, comte de Lapérouse (French, 1741–1788) and L. Aubert (French, active 1782–1810)
    Plan du Port de St. Francois Situe sur la cote de la Californie Septentrionale. 1797.
  • Jodocus Hondius (Dutch, 1563–1612)
    America. 1606.
  • John Arrowsmith (English, 1790–1873) and published by Smith, Elder & Co.
    The Coasts of Guatimala and Mexico, from Panama to Cape Mendocino. 1839.
  • John Chester Buttre (American, 1821–1893)
    S. Brannan. n.d.
  • John William Orr (American, born Ireland, 1815–1887) and published by W.W. Kurtz & Co.
    The Wide West, Fourth of July Illustrated Edition. July 4, 1856.
  • Joseph Becker (American, 1841–1910), John Parker Davis (American, 1832–1910), and Frank Leslie (American, born England, 1821–1880)
    Scene in the Principal Chinese Theatre, San Francisco. 1870.
  • Joseph Britton (American, born England, 1825–1901) and Jacques Joseph Rey (American, born France, 1820–1892)
    San Francisco, 1854. circa 1854.
  • Joseph Britton (American, born England, 1825–1901) and Jacques Joseph Rey (American, born France, 1820–1892)
    Public Buildings, San Francisco. circa 1865.
  • Joseph Britton (American, born England, 1825–1901) and Jacques Joseph Rey (American, born France, 1820–1892)
    San Francisco. 1858.
  • Joseph Britton (American, born England, 1825–1901) and Jacques Joseph Rey (American, born France, 1820–1892), and published by Agnew and Deffebach
    Untitled (Head Quarters Military Department). May 16, 1856.
  • Joseph Britton (American, born England, 1825–1901) and Jacques Joseph Rey (American, born France, 1820–1892), and published by Noisy Carier’s Book & Stationery Co.
    Constitution and Address of the Vigilance Committee. circa 1856.

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