The Peter T. Pope Early California Collection | Crocker Art Museum

The Peter T. Pope Early California Collection

The Peter T. Pope Early California Collection, now part of the Crocker Art Museum’s permanent collection, examines the history of California through rare historic maps, depictions of Gold Rush towns, urban scenes of San Francisco, and other aspects of daily life. Scenes of the city include depictions of urban development, bird’s-eye views, social gatherings, caricatures of well-known industrialists, and the destruction caused by the 1865 and 1906 earthquakes. Through nearly all of the works—from cartography to cartoons—visitors will see the evolution of California’s urban, natural, and political landscape during multiple periods of growth and development.

The collection also seeks to address under-told narratives of immigrant labor that accompanied the Gold Rush boom, the forced relocation of Native American peoples, colonization, as well as the increased demand for, and use of, environmental resources. The people and places omitted from the many scenes depicted in the artwork are as important as the people and places purposefully represented.

Between 1848 and 1853, a quarter of a million people literally rushed to California in search of gold. The influx of people during the Gold Rush, considered the largest mass migration up to that point in American history, hastened California’s move toward statehood, which was secured through the Compromise of 1850. Within this Gold Rush history also lies the history of Native American peoples and immigrants. The latter came to Northern California from around the globe by steam ships, river boats, and overland trails.

Trains also play a central role in many of the works and are evidenced through scenes of railroads under construction and as connectors of people and industry. In 1862, Congress passed the Pacific Railway Act, which allowed for the start of construction on a transcontinental railroad. Upwards of 20,000 Chinese laborers helped build the most treacherous western portion of the transcontinental railroad between 1863 and 1869. Further, territorial expansion was fueled by the idea of Manifest Destiny, or that it was the God-given right for the United States to span from coast to coast regardless of those already here or who might stand in the way.

The Peter T. Pope Early California Collection digital project was made possible by the generous support of Maria and Molly Pope.

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  • Carel Christiaan Antony Last (Dutch, 1808–1876) and published by P. Blommers (Dutch, active 19th century)
    Gezigt op de haven te San Francisco (Sights on the Harbor of San Francisco) and others. circa 1850.
  • Charles Braddock Gifford (American, 1830–1882) and printed by Louis Nagel (German, 1814–1870)
    San Francisco Bird's Eye View. July 1, 1864.
  • Charles Braddock Gifford (American, 1830–1882) and published by A. Rosenfeld (American, active 19th century) and printed by Louis Nagel (German, 1814–1870)
    San Francisco, 1863. From Russian Hill, Looking North. 1863.
  • Charles Braddock Gifford (American, 1830–1882) and published by A. Rosenfeld (American, active 19th century) and printed by Louis Nagel (German, 1814–1870)
    San Francisco 1863 (Panorama from Russian Hill). 1863.
  • Charles Braddock Gifford (American, 1830–1882) and published by G.T. Brown & Co.
    San Francisco Looking South from North Point. 1877.
  • Charles Braddock Gifford (American, 1830–1882) and published by Louis Nagel (German, 1814–1870)
    Untitled (Hayes Valley, San Francisco). n.d.
  • Charles Braddock Gifford (American, 1830–1882) and published by Robinson & Snow
    Robinson & Snow's View of San Francisco, 1864 (Key). 1864.
  • Charles Braddock Gifford (American, 1830–1882), Charles Christian Nahl (American (born Germany), 1818–1878), and Hugo Wilhelm Arthur Nahl (American (born Germany), 1820–1889)
    Mission Dolores, San Francisco—1860 from the Potrero Nuevo. n.d.
  • Charles Braddock Gifford (American, 1830–1882), William Vallance Gray (American, born Scotland, 1839–1891) and published by A. L. Bancroft and Company
    City & County of San San Francisco, 1868. 1868.
  • Charles Braddock Gifford (American, 1830–1882), William Vallance Gray (American, born Scotland, 1839–1891) and published by A. L. Bancroft and Company
    Bird's Eye View of the City & County of San Francisco, 1872. 1872.
  • Charles C. Kuchel (American, born Switzerland, 1820–1864) and Peter Stephen Duval (American, 1804–1886) and published by Henry Bill (American, 1824–1891)
    View of San Francisco. 1850.
  • Charles Christian Nahl (American (born Germany), 1818–1878)
    Nahl Certificate, Society of California Pioneers, James L. Cogswell. September 25, 1873.
  • Charles Christian Nahl (American (born Germany), 1818–1878)
    Untitled (View of San Francisco). 1853.
  • Charles Christian Nahl (American (born Germany), 1818–1878) and Hugo Wilhelm Arthur Nahl (American (born Germany), 1820–1889)
    Nahl Brothers, Blank Certificate, Society of California Volunteers. circa 1868.
  • Charles Christian Nahl (American, born Germany, 1818–1878)
    Untitled (Certificate). 1855.
  • Charles Christian Nahl (American, born Germany, 1818–1878) and published by James Mason Hutchings (American, 1820–1902)
    Hutchings' California Scenes, The California Indians. 1854.
  • Charles Meryon (French, 1821–1868) and published by Auguste Delâtre (French, 1822–1907)
    San Francisco, 1855. 1856.
  • Charles Quirot (American, active mid-19th century) and Emil Justh (American, born Hungary, active mid-19th century)
    View of the Last Great Conflagration in San Francisco and Fire in San Francisco. 1851.
  • Charles Quirot (American, active mid-19th century) and published by Sweeny & Baugh
    Interior View of Merchants Exchange, San Francisco, Cal.. 1852.
  • Charles R. Parsons (American, born England, 1844–1920), Nathaniel Currier (American, 1813–1888) and James Merritt Ives (American, 1824–1895)
    The City of San Francisco, Bird's Eye View from the Bay Looking South-West. 1878.

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